$uicideboy$ ‎– I Want To Die In New Orleans

Label:
G*59 Records ‎– none
Format:
Vinyl, LP, Album, Black/Red Split
Country:
Released:
Genre:
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Companies, etc.

Credits

Notes

Special thanks to Juicy J, Project Pat & the G59 team : Dana Blondi, Kyle Leunissen, Adam Ariagga, Crystal Meth, Max Beck and Slaya Murk.

℗ & © 2018 G*59 Records, LLC. Distributed by Caroline. All rights reserved.
Unauthorized reproduction is a violation of applicable laws. 2812109140

Barcode and Other Identifiers

  • Matrix / Runout (Side A runout, stamped): 179824E1/A
  • Matrix / Runout (Side B runout, stamped): 179824E2/A
  • Barcode (Scanned): 842812109140
  • Barcode (Printed): 8 42812 10914 0

Other Versions (4 of 4) View All

Cat# Artist Title (Format) Label Cat# Country Year
2812109119 $uicideboy$ I Want To Die In New Orleans(CD, Album) G*59 Records 2812109119 US 2018 Sell This Version
2812109126 $uicideboy$ I Want To Die In New Orleans(LP, Album) G*59 Records 2812109126 Australia 2018 Sell This Version
2812109126 $uicideboy$ I Want To Die In New Orleans(LP, Album, Sil) G*59 Records 2812109126 US 2018 Sell This Version
2812109119 $uicideboy$ I Want To Die In New Orleans(Cass, Album) G*59 Records 2812109119 US 2018 Sell This Version

Recommendations

Reviews Show All 3 Reviews

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Zazmaquin

Zazmaquin

October 31, 2018

I'm very impressed with how nice these turned out. I don't normally leave reviews but since this is the first official vinyl pressing I thought I'd let people know that these turned out amazing. This pressing sounds great with little to no surface noise right out of the sleeve. You would think on a lot of the spoken word samples you would hear a few pops here and there, but I am happy to say these are almost nonexistent. Normally I'd have to clean a record in my Spin Clean to get all dust off but I am happy to say this would not be necessary on this release.

Some might be off put by the transitions on this release, especially if they are coming from the digital release. There are about 1 second breaks of silence between each track, whereas the digital version flowed seamlessly. Personally, this does not bother me. It comes with the format and I am sure most will get used to it.

My only complaint would be the artwork on the sleeve and printed inner sleeves. I am not sure if this was intentional for the "aesthetic" but it seems to be very low resolution and quite blurry around the lettering especially.

Overall I am VERY happy with how this came out. For their first outing on wax I am very pleased and I hope we see more of their releases get pressed in the future!